When Dinner by Heston Blumenthal opened it seemed the whole culinary world was talking of nothing else. Bloggers and critics alike were singing its praises; not even A.A. Gill could find a negative word to say about it. Getting a booking was like a local trying to get a ticket to the 100 metre final at the London Olympics.
Now, almost a year on, the hype has died down but dinner at Dinner is still an improbability. So I opted for a lunch booking and in the end a leisurely lunch (four hours!) was the perfect way to savour the experience. And who better to share it with than the only person I know who loves Heston more than me, Alex – aka Blumenthal’s Biatch.
I have had a lot of fine meals in my life – but not because my life has been especially privileged by western standards; where other young women might have spent their first earnings on the latest fashion, I spent mine on dining out. This was definitely in the top three meals of my life.
Part of the attraction for me was that it had all the thought, finesse and elegance of a fine dining meal, without the ponce. There were no fancy foams or mousses, the portions were generous, the presentation was carefully considered but never at the expense of taste, and not one of the ingredients was superfluous, each had its proper place.
Still, there is theatre here – Ashley Palmer Watt’s is Heston’s protégé after all. The signature dish, and probably my favourite, not least because it managed to live up to expectations, was the Meat Fruit, a chicken liver parfait encased in mandarin jelly and modelled to look like a mandarin. It was astonishingly realistic, even the jelly was textured to look like the skin. A.A. Gill described it as “A perfect mandarin orange that smells like mandarin, even minutely examined it looks like a mandarin, but, cut open, it is immensely fine chicken liver parfait.”
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